|
Erin
Chen studied music at the University of Western Australia with
Paul Wright, one of Australia’s leading violinists and baroque exponents.
During this time she was finalist in the Vose Memorial Prize, awarded
the Jean Rogerson Studentship, winner of the Fremantle Open Concerto Competition
and winner of the Waveney Wansborough Prize, and was also awarded the
Lady Callaway Medal for the most outstanding final-year music student
at UWA. Since 2006, Erin has been focusing on early music at the Royal
Conservatory in Den Haag, under the guidance of Ryo Terakado. Erin has
performed, recorded and toured with various ensembles in Europe, Australia
and Asia including Australian Classical Era Orchestra, Ensemble Arcangelo,
Collegium Musicum, The Tall Poppeas, West Australian Symphony Orchestra,
Young Australian Concert Artists String Quartet, Opera Studio Nederland,
Contrasto Armonico, Il Concerto Barocco, Ensemble Bastarda and recently
completed a successful audition for English Concert.
Anne
Marie Christensen comes from the small Danish island Bornholm.
She first discovered the baroque violin while studying at The Royal Danish
Academy of Music where she was involved in several historically informed
ensemble projects. She has a Master of Music in Historical Performance
from Oberlin Conservatory, Ohio, USA where she held a full tuition merit
scholarship. Over the years Anne Marie has performed widely across Europe
and the US. She is now focusing on repertoire from the French baroque
and Italian repertoire for ‘violino e cello’. Currently a Beatrice Taylor
Scholar her studies have been supported by The Leverhulme Trust (UK),
The Manderbaach Lungerhausen Foundation (US), Augustinus Fonden, Dagny
Gad Andresens Fond (DK) and others. She now lives in London studying with
Walter Reiter at Trinity College of Music. She will begin her DMus studies
at the Royal College of Music in 2008.
Daniela
Henzinger was born in Linz, Austria. At the age of seven she
received her first musical training on the violin and began to study at
the Brucknerkonservatorium Linz aged eleven. Later on she attended the
Musikgymnasium in Linz where she continued her violin studies. During
this time she gained a wider experience through extended musical activities
like chamber music, singing and orchestra playing in various concerts
and recordings. Since 2005 Daniela has been studying baroque violin with
Michi Gaigg at the Anton-Bruckner-Privatuniversität Linz and has taken
part in several courses where she was influenced by Gerhart Darmstadt
and Pauline Nobes amongst others. She regularly plays concerts with various
baroque ensembles and orchestras in Austria and abroad.
Ivan
Iliev was born in Pernik, Bulgaria, and studied violin at the
National Academy of Music in Sofia where he finished his Bachelor degree
with Verka Stefanova in 2007. Currently, he is working towards his Master’s
degree with Yosif Radionov. Ivan has participated in masterclasses with,
among others, members of the Amadeus, Smetana and Bartok quartets. He
was a prize-winner at the Young Music Talents National Competition, Sofia
in 2002, and in 2007 at the National Academy of Music for performance
of chamber music by contemporary Bulgarian composers. He is a member of
the early music consort Concerto Antico, and with them performed at the
Festival de Musica Antiga in Barcelona in 2007 and 2008. Ivan is a co-founder
and member of Ars Barocca, which was named Ensemble of the Year 2007 by
Bulgarian National Radio. Ars Barocca and Concerto Antico performed at
the first Sofia Baroque Arts Festival in November 2007.
Sophie
Iwamura studied baroque violin in the class of Patrick Bismuth
at the Conservatoire National de Région in Paris, and subsequently with
Sigiswald Kuijken at the Conservatoire Royal de Bruxelles. During her
studies she took part in several masterclasses and academies, for example
the Académie d’Ambronay under the direction of Gabriel Garrido, Académie
de Royaumont with Gérard Lesne, Studio Vocal with Martin Gester and a
course in Amilly with Patrick Bismuth. As well as performing chamber music
in France, Belgium and Norway, she has played with several orchestras
including Le Parlement de Musique de Strasbourg, l’Ensemble Baroque de
Nice, Ensemble Mateus and les Folies Françoises.
Katharina
Kiesenhofer was born in Linz, Austria, and started to play modern
violin at the age of seven. First she studied at the Anton Bruckner Privatuniversität
with Albert Fischer, Wolfram Wincor and Pedrag Katanic. From 2002 to 2007
she was a student of Josef Sabaini, with whom she completed her diploma
on modern violin. Katharina has performed in projects with directors including
Yehudi Menuhin, Lorin Maazel, Franz Welser Möst, Dennis Russell Davies
and Ton Koopman. Katharina is a member of various orchestras, for example
Brucknerorchester Linz, Harmonices mundi and L´Orfeo Barockorchester.
During her studies she became interested in early music and started to
work with Michi Gaigg.
Veronika
Manova was born in the Czech Republic and began her musical studies
at the Pilsen conservatory with Martin Kaplan as her modern violin teacher.
She subsequently moved to Utrecht in The Netherlands to study baroque
violin with Antoinette Lohmann. During her studies she has taken part
in several summer courses for early music, including the Orpheon Summer
Academy with tutors José Vazquez, Bert Honig, Christian Drechsel and Gerd-Uwe
Klein, and the Summer School of Baroque Music with Roman Valek and Peter
Zajicek. She has performed in festivals in The Netherlands and the Czech
Republic with a number of orchestras including Ensemble Baroque, Collegium
1704, Orkest van de Domcantorij Utrecht and founded an ensemble Foscarina,
the first western Bohemian ensemble specializing in early baroque interpretation.
Anna
Nowak was born in Poland where she is now completing her modern
violin studies at the Wroclaw Academy of Music. During her studies, she
became interested in early music and started playing with various Polish
baroque orchestras, including Arte dei Suonatori, Harmonologia, and the
Wroclaw Baroque Orchestra, where she plays both violin and viola. While
participating in these projects, she has had the opportunity to work with
such musicians as Sirkka-Liisa Kaakinen-Pilch, Martin Gester, Alexis Kossenko,
and Daniel Sepec. In 2008, she took part in the Génération Baroque project
in Strasbourg under Martin Gester.
Stephen
Pedder comes from Stoke-on-Trent
in the United Kingdom and began playing violin at the age of six.
He read music at Selwyn College, Cambridge where he pursued an
active musical life as a member of the University Instrumental Awards
Scheme. Upon graduating in 2005 he went to study modern violin with
the late Howard Davis and baroque violin with Nicolette Moonen as an MMus
performance and research student at the Royal Academy of Music, London.
He has been concertmaster of several orchestras at the Academy and performed
with period instrument orchestras across the UK including the Welsh
Baroque Orchestra, the English Haydn Orchestra and Ex Cathedra. He
has appeared at the Cambridge and Spitalfields music festivals and,
most recently, at the Aldeburgh festival as a chamber musician of
the Britten-Pears Baroque Orchestra.
Sara
Deborah Struntz-Timossi obtained her Masters degree and Diploma
at the Royal College of Music in London in 2007 under Natasha Boyarsky
and Adrian Butterfield, and was coached in masterclasses by Rachel Podger,
Catherine Mackintosh, Robert Levin and Sir Roger Norrington among others.
She is currently the RCM’s Phoebe Benham Junior Fellow and an Assistant
Teacher for Violin at the Yehudi Menuhin School. As a soloist she has
performed at the Wiener Konzerthaus and London Handel Festival and won
a Philip & Dorothy Green Award for Young Concert Artists in 2008.
Sara Deborah performs recitals throughout Europe, and appearances with
her period string quartet Chiaroscuro and her baroque group Ensemble Amaranthos
have included the York Early Music Festival and Wigmore Hall. She regularly
works with the UK’s leading baroque ensembles including the Orchestra
of the Age of Enlightenment, the Sixteen, Florilegium, La Serenissima
and Dunedin Consort.
Zefira
Valova was born in Sofia where she studied violin from an early
age. In 2006 she obtained both Bachelor’s and Master’s degrees at the
National Music Academy in Sofia, having studied with Yosif Radionov and
Stoyka Milanova. She has participated in numerous violin masterclasses
and summer courses including courses in Blankenburg and Obertsdorf in
Germany with Reimar Orlowsky, Raphael Alpermann, Michael Niesemann and
Peter Buck; in Austria with members of Bartok, Keller, Artis and Prazak
Quartets; and at the International Masterclass Apeldoorn, The Netherlands.
With Concerto Antico she performed at the Festival de Musica Antiga Barcelona,
Spain in 2007 and 2008. In 2007 she was concertmaster with The National
Youth Orchestra of The Netherlands. She has appeared as soloist with the
Academic Symphony Orchestra Sofia, Classic FM Radio Symphony Orchestra,
Chamber Orchestra Orpheus, Ars Barocca Ensemble. Since 2003 she has been
concertmaster of Classic FM Radio Orchestra.
Violins
| Violas | Cellos/Double
Bass | Winds | Keyboards
and Continuo | back to EUBO Members
|